Today in my speed reviews series, I’ve got two brilliant UKYA fantasy novels for you. Both are recently published, both open trilogies and, although their plots and characters are quite different, they both exemplify great world-building and plotting. And since I can’t resist it, I’ll also be linking to a couple of other fab UKYA fantasies that I’ve reviewed previously. I rate all books in this post 5 stars on Goodreads (“It was amazing”), as I feel they all represent top-quality examples of their sub-genres.
is one of 2015’s big UKYA novels. A classical high fantasy in many ways, this novel introduces the character of Twylla, who has been taken from her family and installed in the palace as an incarnation of the goddess Daunen. Like all deities, she is treated with a healthy dose of fear, due to her poisonous skin (only those with royal blood can touch her and live). Although the novel is clearly set in a traditional high-fantasy medieval-style society, the writing is very contemporary and the narrative style is very engaging and accessible. This is not a novel that requires a glossary or for you to keep checking who’s who due to all the names being unfamiliar.
Twylla is a well-rounded character, reacting realistically to her bizarre life. I really enjoyed the ending of this one and was not initially sure whether there was going to be a sequel. As regular visitors here will know, I am not a fan of open/cliffhanger endings, and I am pleased to say that this closes like a standalone, but I definitely want to see more of Twylla.
The Sin-Eater’s Daughter is out now from Scholastic.
is another of 2015’s big UKYA releases. This is a much more contemporary fantasy, combining dystopian themes with the idea of magic. Protagonist Danny lives in the Greenworld, conceived as a Pagan utopia and consisting of Devon and Cornwall. Everywhere else is the Redworld, where capitalism, individualism and hate seem to be the ruling forces. Initially, Danny is sceptical about all this Pagan stuff, despite his Mum being an important witch, and is focused almost exclusively on chasing girls.
One of the things I love about this novel is Danny. He’s very representative of teen boys in terms of their sex drive, something you don’t often see in YA novels. At times this tendency to be shallow and self-centred made me frustrated with him, but in a way that enhanced my reading because I was willing him to do better and notice what he needed to. I was certainly highly engaged in reading this book and will absolutely be reading the next in the series.
Crow Moon is out now from Quercus.
While I’m on the subject of 5-star UKYA fantasy, here are a couple more recommendations for you. Both of these are also trilogy-openers, and in both cases the second book is also now out (and equally good).
is an urban fantasy combining elements of Japanese folklore into a contemporary London setting. Her characters, plot and settings all contribute to a greater diversity in YA novels, and if any of the following appeal, you should definitely give this a go: a mysterious inherited sword, huge good-versus-evil battles, gorgeous toying-with-reader-emotions romance, fabulous fox spirits. Check my original review for more info.
kicks off her urban fantasy trilogy focusing on a fae world. Her hero, Kit, is easily one of the most compelling YA protagonists I’ve read, and the world-building and use of folklore are superb. Read this one for lots of action, brilliantly-realised characters, a healthy dollop of snark and cynicism and (yes, I’m saying it) hot boys. Check my original review for more info.