For this week’s Words on Wednesday, we’ve got a real treat. Linda Newbery, author of many children’s books (for many different kinds of children), is here to talk about writing for a range of ages. I’m reading her latest book, The Treasure House, at the moment and it’s a gorgeous adventure with a truly classic feel (full review – and a giveaway of a copy – coming up on Monday). Without further ado, over to Linda…
One of the things I love about writing for young people is that there’s such freedom, or can be if you choose to take it. My first novels were for teenagers, but soon, wanting to diversify, I wrote a few first readers, short, illustrated books for children of about five or six, before moving into the core 9-12ish age group. My first book for Orion, At the Firefly Gate, was followed by five more, most recently The Treasure House; meanwhile I continued to write young adult fiction for David Fickling Books, along with Lob, for about 7+ (though I prefer to think of it as a book for everyone except teenagers) and have just completed an adult novel, to be published later this year. Oh yes, and there’s one picture-book, Posy, illustrated by the wonderful Catherine Rayner. So now I have books in every age-slot apart from board books for babies.
There are drawbacks to this from the marketing point of view. My books aren’t all shelved in one place; they come from different publishers and don’t share a “look”, so I’m not particularly known for any one thing. But I wouldn’t want to limit myself to one age-group or genre. After finishing a long and challenging older novel, it’s refreshing to turn to something shorter and lighter, such as a rhyming picture-book text or a little story about a dog and a narrowboat. And it gives a lovely variety to my school and library visits: I might be reading to five-year-olds one week, talking to year nine or sixth-form the next.
People sometimes ask about the practicalities of writing for different age-groups. Is it difficult? Confusing? Does it require a major switch of focus, or a preparatory period of immersion in picture-books or adult fiction? I’m not really aware of any great difference in approach. Writing is writing, and once I have an idea, it’s the story itself and the characters whose heads I’m inhabiting that determine how the story will develop, the pace, the language, the length. What I can’t do, though, is have two or three projects on the go at the same time. It’s essential to feel that I’m living in whatever story it is, so that my mind works away at it while I’m doing other things, like swimming or gardening, or even sleeping..
What next? Well, I do have something in mind – something I haven’t tried before … which brings me to another question I’ve often been asked. “Does it get easier now that you’ve written so many books?” No. It doesn’t and shouldn’t. Each book presents it own challenges, and if I ever start thinking it’s easy I’ll have to be very strict with myself and find a way of making it harder.